The Picture of Dorian Gray was first published as a serial in Lippencott’s Monthly Magazine, and the publishers thought it would so offend readers that they removed nearly 500 words without Wilde’s approval. Wilde soon expanded it and republished it as a novel, including a short preface justifying his art. Even though his contemporaries considered it so offensive that some argued for his prosecution, Dorian Gray today survives as a classic philosophical novel that explores themes of aestheticism and double lives. Couched in Wilde’s trademark cutting wit, Dorian Gray is still being adapted today, with Dorian and his moldering portrait remaining cultural touchstones.

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The King in Yellow is a fascinating, almost two-faced work. The first half consists of five legendary weird tales, loosely tied together by a fictional play—the eponymous King in Yellow—that drives those who read it mad. Celebrated by authors like H. P. Lovecraft and Lin Carter, these stories are classic tales of madness, despair, and strange happenings. With the fifth tale the reader finds a sort of palate-cleansing collection of short prose-poems leading into the last four stories, which take a sharp turn away from the weird and into the romantic. The concluding tales are set in the Parisian art world. In modern times The King in Yellow enjoys a reputation largely due to the strength of its first half of macabre tales, but by no means does that make the second half less enjoyable. Both halves are written in a quick, light prose style that demonstrates why Chambers was a best-seller in his day.

Roman Emperor Marcus Aurelius Antoninus Augustus was the model of what we call a philosopher-king. Though his rule was troubled by war and conflict, he remained a thoughtful and even-handed ruler. Meditations isn’t a complete book, but rather a collection of his personal diary entries written over a ten-year campaign in Greece. The entries were never meant to be published; instead, they were a reminder to himself of how to remain calm, tranquil, and kind, even in the worst of situations. In them we see the emperor working out how to deal with the everyday problems all of us face: annoying coworkers, difficult family members, the expectations of others, unrealized goals and achievements, and, ultimately, happiness. The episodic nature of Meditations makes it hard to follow at times, but in exchange we get a deeply personal window into the life of one of Rome’s most unique emperors, and more importantly, a handbook of thoughtful advice on how to live a tranquil, satisfied, and productive life.

Pride and Prejudice may today be one of Jane Austen’s most enduring novels, having been widely adapted to stage, screen, and other media since its publication in 1813. The novel tells the tale of five unmarried sisters and how their lives change when a wealthy eligible bachelor moves in to their neighborhood.

Dracula is one of the most famous horror novels, responsible not just for introducing the eponymous Count Dracula, but for laying the foundations for many of the common tropes we see in modern horror fiction. Count Dracula isn’t the first vampire to have graced the pages of Western literature—that honor belongs to Lord Ruthven in “The Vampire,” a short story by John William Polidori—but Dracula is the vampire on which the modern vampire trope is based. Dracula wasn’t as famous in its day as it is today; readers of the time seemed to enjoy it as nothing more than a good story, and Stoker died nearly penniless. But its long-lasting influence is undeniable, and for all its age Dracula remains a gripping, fast-paced, and enjoyable read.

Isaac Asimov’s reputation precedes him; his prolific output of science fiction novels and short stories between the 1940s and the 1990s, along with his many Hugo and Nebula awards, cemented his reputation as the premier science fiction author of his time. His writing, at least in the first half of his career, focused on “hard” science fiction: stories that were broadly founded in realistic science. Indeed, as well as writing fiction, he was a professor of biochemistry, and wrote a wide variety of popular science essays and books. This collection brings together the few Asimov science fiction short stories that are currently known to have passed into the U.S. public domain, arranged in order of publication. It includes one focused on robots and the positronic brain, a subject that he would return to many times over his career.

Mary Shelley (then Godwin) and Percy Bysshe Shelley were visiting their friend Lord Byron in Geneva one rainy summer. With the weather against them, they decided to spend their time writing ghost stories for each other. Frankenstein is Mary Shelley’s submission to their contest, later published anonymously in 1818. Victor Frankenstein, a strange but brilliant scientist, discovers a method of imparting life to inanimate matter. The Monster is thus born: a hideous, 8-foot-tall creature of muscle, speed, and intellect. Frankenstein’s rejection of his appalling creation sends it into a spiral of despair, and Frankenstein’s life is never the same. Considered by many to be the first science fiction novel, Frankenstein is a powerful narrative that explores complex themes of belonging, morality, and the consequences of the power over life and death. This edition is based on Shelley’s revised 1831 edition.