A doctor is released from the Bastille after being falsely imprisoned for almost eighteen years. A young woman discovers the father she’s never known is not dead but alive, if not entirely well. A young man is acquitted of being a traitor, due in part to the efforts of a rather selfish lout who is assisting the young man’s attorney. A man has a wine shop in Paris with a wife who knits at the bar. These disparate elements are tied together as only Dickens can, and in the process he tells the story of the French Revolution. Charles Dickens was fascinated by Thomas Carlyle’s magnum opus The French Revolution; according to Dickens’ letters, he read it “500 times” and carried it with him everywhere while he was working on this novel. When he wrote to Carlyle asking him for books to read on background, Carlyle sent him two cartloads full. Dickens mimicked Carlyle’s style, his chronology, and his overall characterization of the revolution; although A Tale of Two Cities is fiction, the historical events described are largely accurate, sometimes exactly so. Even so, Dickens made his name and reputation on telling stories full of characters one could be invested in, care about, and despise, and this novel has all of those and more. It also, in its first and last lines, has two of the most famous lines in literature. With the possible exception of A Christmas Carol, it is his most popular novel, and according to many, his best.

Dmitri Karamazov and his father Fyodor are at war over both Dmitri’s inheritance and the affections of the beautiful Grushenka. Into this feud arrive the middle brother Ivan, recently returned from Moscow, and the youngest sibling Alyosha, who has been released into the wider world from the local monastery by the elder monk Zossima. Through a series of accidents of fate and wilful misunderstandings the Karamazovs edge closer to tragedy, while the local townspeople watch on. The Brothers Karamazov was Fyodor Dostoevsky’s final novel, and was originally serialised in The Russian Messenger before being published as a complete novel in 1880. This edition is the well-received 1912 English translation by Constance Garnett. As well as earning wide-spread critical acclaim, the novel has been widely influential in literary and philosophical circles; Franz Kafka and James Joyce admired the emotions that verge on madness in the Karamazovs, while Sigmund Freud and Jean-Paul Satre found inspiration in the themes of patricide and existentialism.

Esmeralda is a breathtaking beauty and attracts the attention of men all around her, including an actor, a captain, and an archdeacon, to whom she is of course forbidden. But because of a kindness she paid to him, there is one whose love for her is pure: the archdeacon’s bellringer. The actions of the archdeacon, who cannot control his lust for the young woman, ultimately draws all four men into her orbit, and his, with tragic consequences. Hugo’s tragic novel is an ode to gothic architecture in general and that of Notre-Dame de Paris in particular. Hugo was upset both at the neglect of buildings like Notre-Dame, and the modernization of those that weren’t being neglected. By centering on the building, he was able to bring all classes into his story: from kings and nobles to bellringers and sewer rats. The first American translation changed the title to “The Hunchback of Notre Dame,” shifting attention to the bellringer, but Hugo’s focus was always on Notre-Dame and the beautiful gothic architecture of Paris.

Anna Karenina is certainly somewhat unhappy in her life, but presents a strong and vivacious character when called in to smooth over a major crack that’s appeared in her brother’s marriage. Unfortunately, the very visit designed to help her brother introduces her to Count Alexei Vronsky and sets in motion a chain of events that will ripple through families and the unforgiving society of wealthy Moscow and St. Petersburg. Initially serialized over five years in The Russian Messenger, Anna Karenina was first published as a two-volume novel in 1878. It was Leo Tolstoy’s second novel, coming after War and Peace and further cementing his role as the primary Russian author of his age. Tolstoy drew on his aristocratic upbringing to set the scene for the novel, and it’s widely believed that he wrote his own experiences and struggles with religion (documented in A Confession) into the central character of Konstantin Levin. This edition compiles into a single volume the 1901 English translation by Constance Garnett.

The people of the obscure village Erl demand to be ruled by a magic lord, so their ruler sends his son Alveric to Elfland to wed the elfin princess Lirazel. He brings her back to Erl and the couple have a son, but Lirazel has trouble integrating with human society. When a scheme by her father spirits her away and Elfland vanishes, Alveric begins a mad quest to find where Elfland went. The King of Elfland’s Daughter is written in the pseudo-archaic prose style for which Dunsany is known. Some contemporaries thought the style did not suit a novel-length work, but contemporary Irish writer George Russell called the book “the most purely beautiful thing Lord Dunsany has written.” The book touches on a range of themes, including the longing for fantastical things lost, the perception of time, sanity and madness, the fear of the unknown, and being careful what you wish for. Large passages are also devoted to hunting; the original edition even featured an illustration of a unicorn hunt opposite the title page. Neil Gaiman wrote an introduction to the 1999 edition, and Christopher Lee was a featured vocalist on a 1977 progressive rock album based on the book.

The wealthy Bengali zamindar Nikhil has spent his last nine years of marriage trying to modernize and westernize his wife Bimala. But when he invites his friend Sandip, a fiery pro-Swadeshi activist fighting for Indian independence, to his home, Bimala becomes enraptured by the nationalist cause—and by the fascinating figure himself. The Home and the World is a complex exploration of the contradictions of the anti-British Swadeshi movement in the early 1900s. Rabindranath Tagore was himself active in the early days of the movement, but later became disillusioned, for reasons this novel examines in depth. The novel is also an examination of the traditional organization of wealthy Bengali households, in which women are kept separate from the outside world. The Home and the World was adapted into a 1984 Golden Palm nominated film by Satyajit Ray.

Two hundred years ago, merchants in the small country of Dorimare, weary of the capricious nature of the ruling class, cast out the aristocracy and established their own government. Believing that their former rulers’ erratic behavior was caused by their neighbors in Fairyland, the mention of anything fairy quickly became taboo among Dorimare’s citizens. Now, though, illicit trade of fairy fruit is on the rise in the border town of Lud-in-the-Mist and the government seems powerless to stop it. As influential families fall victim to the maddening effects of the fruit it becomes clear that someone is working to undermine the status quo, and the Mayor needs to discover who it is before it’s too late. Lud-in-the-Mist is Hope Mirrlees’s third and most popular book. It has been reprinted several times, and was a part of the Fantasy Masterworks series produced by Orion Books. It has been referred to as a masterpiece of fantasy literature, with Neil Gaiman calling it “a little golden miracle of a book.”

The Three Musketeers is the first of three adventure novels written by Alexandre Dumas featuring the character of d’Artagnan. The young d’Artagnan leaves home in Gascony for Paris to join the King’s Musketeers. On his way to Paris, the letter which will introduce him to the commander of the Musketeers is stolen by a mysterious man in the town of Meung. This “Man of Meung” turns out to be a confidant of the infamous Cardinal Richelieu, the chief minister of the government of France. When he arrives in Paris and seeks an audience with the commander of the Musketeers, d’Artagnan sees this man again and rushes to confront him. As he pushes his way out he provokes three inseparable musketeers—Athos, Porthos and Aramis—and ends up setting up duels with all three of them that afternoon. At the first of the duels he discovers, to his surprise, that each of the three is a second to the other. As they start to fight, they are ambushed by the Cardinal’s men and join forces. So begins one of the most enduring partnerships in literature. When d’Artagnan’s landlord tells him that his wife has been kidnapped, d’Artagnan investigates, falls in love and becomes embroiled in a plot to destabilize France. The Three Musketeers was first published in 1844 and has been adapted for stage, film, television, and animation many times; such is the endurance of its appeal. At its heart is a fast-paced tale of love and adventure.

Peter Pan, a young boy who refuses to grow up, takes Wendy to the lost boys on the fantasy island of the Neverland to be their mother. Wendy’s two brothers, John and Michael, accompany them on their many adventures, including skirmishes with the Native Americans who reside there, and battles with pirates, led by Pan’s nemesis Captain Hook, who is said to be feared even by Captain Flint and Long John Silver. Peter and Wendy, J. M. Barrie’s most famous work, was influenced by Barrie’s relationship with the Llewelyn Davies family and the death of his older brother, who, by dying in his youth, would remain a young boy forever. It began as a play first performed in 1904, and then was later published as a novel in 1911. A large number of adaptations including plays, television, and films have since been produced.

Four strangers, each enchanted by an advertisement addressed “To Those who Appreciate Wistaria and Sunshine,” impulsively pool their savings to lease a medieval Italian castle for the month of April. All are deeply dissatisfied with life and in need of escape: awkward Mrs. Wilkins, increasingly resentful of a husband who largely ignores her; proper Mrs. Arbuthnot, whose own marriage seems headed toward estrangement; beautiful and unmarried Lady Caroline Dester, tired of men constantly “grabbing” at her; and elderly Mrs. Fisher, widowed and walled off in memories of the past. As they come to know one another, each woman finds herself gradually transformed by the beauty of San Salvatore—a magical place where conflict just might turn to friendship, and even the most soured relationship has a chance of being salvaged. Later adapted into an Academy Award-nominated film, The Enchanted April was an instant bestseller upon its publication in 1922. It continues to enchant readers today as a lighthearted, often comedic exploration of friendship and romance that is steeped in vibrant, intoxicating descriptions of wisteria and sunshine.