A doctor is released from the Bastille after being falsely imprisoned for almost eighteen years. A young woman discovers the father she’s never known is not dead but alive, if not entirely well. A young man is acquitted of being a traitor, due in part to the efforts of a rather selfish lout who is assisting the young man’s attorney. A man has a wine shop in Paris with a wife who knits at the bar. These disparate elements are tied together as only Dickens can, and in the process he tells the story of the French Revolution. Charles Dickens was fascinated by Thomas Carlyle’s magnum opus The French Revolution; according to Dickens’ letters, he read it “500 times” and carried it with him everywhere while he was working on this novel. When he wrote to Carlyle asking him for books to read on background, Carlyle sent him two cartloads full. Dickens mimicked Carlyle’s style, his chronology, and his overall characterization of the revolution; although A Tale of Two Cities is fiction, the historical events described are largely accurate, sometimes exactly so. Even so, Dickens made his name and reputation on telling stories full of characters one could be invested in, care about, and despise, and this novel has all of those and more. It also, in its first and last lines, has two of the most famous lines in literature. With the possible exception of A Christmas Carol, it is his most popular novel, and according to many, his best.

Esmeralda is a breathtaking beauty and attracts the attention of men all around her, including an actor, a captain, and an archdeacon, to whom she is of course forbidden. But because of a kindness she paid to him, there is one whose love for her is pure: the archdeacon’s bellringer. The actions of the archdeacon, who cannot control his lust for the young woman, ultimately draws all four men into her orbit, and his, with tragic consequences. Hugo’s tragic novel is an ode to gothic architecture in general and that of Notre-Dame de Paris in particular. Hugo was upset both at the neglect of buildings like Notre-Dame, and the modernization of those that weren’t being neglected. By centering on the building, he was able to bring all classes into his story: from kings and nobles to bellringers and sewer rats. The first American translation changed the title to “The Hunchback of Notre Dame,” shifting attention to the bellringer, but Hugo’s focus was always on Notre-Dame and the beautiful gothic architecture of Paris.

At the height of the French Revolution’s Reign of Terror, a mysterious daredevil rescues French aristocrats from execution and smuggles them out of France. This secretive escape artist is known to the French authorities only by the drawings of a flower, the scarlet pimpernel, that he leaves as his calling card. Marguerite St. Just has avoided the worst of the revolutionary turmoil. Her recent marriage to the English baronet Sir Percy Blakeney has taken her away from the chaos in France to England, where she is quickly recognized as the most fashionable and clever lady in London. But even in England, she is unable to escape the effects of the Revolution, and she is soon blackmailed into a plot to unmask and capture the elusive Scarlet Pimpernel. With The Scarlet Pimpernel, Baroness Orczy introduced the world to a talented, adventurous hero hiding behind a dull and ineffectual secret identity. Countless imitators followed, until the “secret identity” became a common feature of adventure stories. In addition to the novel, Orczy wrote with her husband a stage play of the same name, which broke stage records and saw several revivals. Both the play and the novel received much critical and popular acclaim, and Orczy went on to write several sequels about the mysterious Pimpernel and his companions.

The Three Musketeers is the first of three adventure novels written by Alexandre Dumas featuring the character of d’Artagnan. The young d’Artagnan leaves home in Gascony for Paris to join the King’s Musketeers. On his way to Paris, the letter which will introduce him to the commander of the Musketeers is stolen by a mysterious man in the town of Meung. This “Man of Meung” turns out to be a confidant of the infamous Cardinal Richelieu, the chief minister of the government of France. When he arrives in Paris and seeks an audience with the commander of the Musketeers, d’Artagnan sees this man again and rushes to confront him. As he pushes his way out he provokes three inseparable musketeers—Athos, Porthos and Aramis—and ends up setting up duels with all three of them that afternoon. At the first of the duels he discovers, to his surprise, that each of the three is a second to the other. As they start to fight, they are ambushed by the Cardinal’s men and join forces. So begins one of the most enduring partnerships in literature. When d’Artagnan’s landlord tells him that his wife has been kidnapped, d’Artagnan investigates, falls in love and becomes embroiled in a plot to destabilize France. The Three Musketeers was first published in 1844 and has been adapted for stage, film, television, and animation many times; such is the endurance of its appeal. At its heart is a fast-paced tale of love and adventure.

Edmond Dantès is a young man about to be made captain of a cargo vessel and marry his sweetheart. But he is arrested at his pre-wedding feast, having been falsely accused of being a Bonapartist. Thrown into the notorious Château d’If prison, he eventually meets an ancient inmate who teaches him language, science, and passes hints of a hidden fortune. When Edmond makes his way out of prison, he plots to reward those who stood by him (his old employer, for one), and to seek revenge on the men who betrayed him: one who wrote the letter that denounced him, one that married his fiancée in his absence, and one who knew Dantès was innocent but stood idly by and did nothing. The Count of Monte Cristo is another of Alexandre Dumas’ thrilling adventure stories, possibly more popular even than The Three Musketeers. Originally serialized in a French newspaper over the course of a year-and-a-half, it was enormously popular after its publication in book form, and has never been out of print since. Its timeless story of adventure, historical drama, romance, revenge, and Eastern mystery has been the source of over forty movies and TV series.